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\F0\CSTANFORD UNIVERSITY
\CDepartment of Music


\F3John Orian Robison\F1              		B.A. Oakland University (1971)
\F1605 Guinda					M.A. Stanford University (1972)
Palo Alto, CA 94301				D.M.A. Stanford (June 1975)
				\F3Major Advisor:  Prof. William Mahrt

\F1Primary area:  Early Music
   Dissertation title:	\F2Vienna, Nationalbibliothek Ms. 18810:
			A Transcription of the Unpublished Pieces with Comments on
			Performance Practices in Early Sixteenth Century Germany.

\F1Secondary areas:  Music History, Theory

Performing ability:	lute, renaissance winds, baroque oboe, baroque
			recorder, modern oboe/English horn

Performances:	Organized and directed The Masque of Flowers, Chamber
		Music of the High Baroque, and Courtly Music of the Northern
		Renaissance.  Several other performances.

Teaching experience:	Teaching Asst. for Renaissance and Baroque Music and the 
			Symphony; experience teaching lute, oboe and recorder privately.





\F3Kathleen Ann Chaikin\F1			B.A. Wellesley College (1967)
3197 Alma St.     				M.A. Stanford University (1968)
Palo Alto, CA 94306				Ph.D. Stanford (1975)
				\F3Major Advisor:  Prof. Imogene Horsley

\F1Primary area:  Baroque (Italian)
    Dissertation title:	\F2The Solo Soprano Cantatas of Alessandro Stradella

\F1Secondary areas:  Renaissance, performance practice, music history, history of vocal music

Performing ability:  voice (lyric soprano)

Publications:	Correspondant for Current Musicology, 1970-72;
		Edition of Motets of Ludovico Viadana, (in press)

Teaching Experience:  Teaching Asst. in elementary theory, history of Baroque music.
			Director of Wellesley College Madrigals.
\F0\CSTANFORD UNIVERSITY
\CDepartment of Music


\F3Patricia Farris Hennings\F1			B.A. Pomona College (cum laude 1971)
2102 Bowdoin					M.A. Stanford University (1972)
Palo Alto, CA 94306				D.M.A. Stanford University (1975)
				\F3Major Advisor:  Prof. Harold Schmidt

\F1Primary area:  Choral Conducting/Choral Literature
   Dissertation title:	\F2A Performance Edition and Study of Messa di Papa
			Marcello del Palestrina ridotta a quattro da Giovanni Francesco
			Anerio con il Basso continuo per sonare

\F1Secondary areas:  music history and theory

Performing ability:  conducting (instrumental/choral), flute  (will teach)

Teaching experience:	Teaching Asst. Stanford Chorale, 73-74; faculty
			member, Menlo College, 73-74, taught chorus & madrigals






\F3Steven Louis Martin				\F1B.A. U.C.L.A. (Math. 1967)
954 Van Auken Circle				M.A. Stanford (1974)
Palo Alto, Ca.  94303				D.M.A. Stanford (expected 1977)
				\F3Major Advisor:  Prof. Leland Smith\F1

Primary area:	Composition, theory, computer applications
   Dissertation title:	\F2An extended composition of computer-generated sound.

\F1Secondary areas:   Contemporary music, acoustics, musicianship

Performances:    Several performances of compositions in Bay area.

Teaching Experience:	Course assistant to Gyorgy Ligeti, assistant in several other
			Stanford Music Department courses, concert hall manager.
\F0\CSTANFORD UNIVERSITY
\CDepartment of Music




\F3Julie Steinberg\F1				B.A. Sarah Lawrence College (1968)
2307 Derby					M.A. Stanford (1970)
Berkeley, CA  94705				D.M.A. Stanford (1973)
				\F3Major Advisor:  Prof. Leland Smith\F1

Primary area:	Piano performance
   Dissertation title:	\F2A Performance study of "Vingt regards sur l'enfant Jesus"
			by Olivier Messiaen

\F1Secondary areas:  Theory, contemporary music, the Classic period

Performances:	Several concerts, solo and chamber music of all eras.

Teaching experience:	Diablo Valley College, 1974 (piano and theory),
			Sonoma State College, Extension, 1975, (piano)






\F3Harry Bernstein\F1				Ph.D. Stanford (expected June 1976)
\F179 Roosevelt Circle
Palo Alto, CA. 94306
tel. (415) 494-1288			\F3Major Advisor: Professor George Houle

\F1Primary area:    Baroque music, History and Performance Practices
   Dissertation title:   \F2Alessandro Stradella's "Il Barcheggio" (1681):  A Performing Edition

\F1Secondary areas:  Renaissance and Classic periods, History of Instruments,
			Music fundamentals and theory.

Performances:	"Music for Cornetti, Trumpets and Sackbuts," Chicago (1972).
		Monteverdi Vespers of 1610, Berkeley (1974).
		Many other performances.

Teaching experience:  Teaching Asst. in music history for non-majors (1975). 
			Private teaching of trumpet, recorder, ear training, harmony. 
\F0\CSTANFORD UNIVERSITY
\CDepartment of Music


\F3Sandra Soderlund\F1				M.M. University of Southern Calif.(1963)
\F181 Denslowe Drive				D.M.A. Stanford (expected 1976)
San Francisco, CA. 94132 	   \F3Major Advisor: Professor Herbert Nanney

\F1Primary area:    Performance Practice, Keyboard Instruments
   Dissertation title:   \F2Organ Technique: A Historical Approach.

\F1Secondary areas:  Harpsichord and Early Piano, Music History

Performing ability:	Concert organist for many years;  performances on Early and
			Modern Piano;  currently studying Harpsichord.

Performances:	Many concerts in several locations, including 6 programs at Rice University
		(1964-66) and recital at Schoenberg-Ives Centennial, Berkeley (1974).

Work and teaching experience:  Several church organ positions;  Chairman, Dept. of Music,
			Simpson College, San Francisco, (also taught history, theory and
			keyboard);  organ teaching at San Francisco State University
			(1970,1974) and at Sam Houston State University (1965-6)




\F3Colleen Magee Snyder\F1			B.A. Stanford (1968)
212 O'Keefe					M.A. Stanford (1969)
Menlo Park, CA  94025				D.M.A. Stanford (1975)
				\F3Major Advisor:  Prof. Harold Schmidt\F1

Primary area:	Choral and Instrumental Conducting; Choral Literature
   Dissertation title:	\F2Cantiones Sacrae quinque Vocum cum Basso Continuo (1617)
			by Richard Dering, ca. 1580-1630, a Transcription and Analysis

\F1Secondary areas:  Woodwinds, Voice, piano, Music Ed.

Performing ability:	conducting - choral and instrumental; saxophone, clarinet,
			piano, voice (will teach)

Major works conducted in Concert:	Vivaldi \F2Gloria; \F1 Mozart \F2Vespers;
					\F1several cantatas of J.S. Bach, etc.

Teaching experience:	Teaching asst., Stanford Choir, '72-73;  Director, Ohlone College
			Cantorum, '74-continuing;  Teaching asst., Stanford Wind Ensemble,
			Spring, '75;  Asst. Cond., Livermore-Amador Symphony, '74-continuing.
\F0\CSTANFORD UNIVERSITY
\CDepartment of Music

\F3Leonard R. Rumery\F1			D.M.A. Stanford University (expected 1976)
\F11950 Cooley Ave., 1101
Palo Alto, CA. 94303
				\F3Major Advisor: Professor William Ramsey

\F1Primary area:    Choral conducting   
   Final Project title:   \F2A Performance Study of Francisco Guerrero's "Canciones y Villanescas
					Espirituales" (1589)

\F1Secondary areas:  Performance practice, Organology, English Baroque, Russian Music.

Directorships:	UCLA Chorus II;  Westwood Collegium Antiquum;  Westwood Chamber Orchestra;
		First Congregational Church of Glendale Choir.

Assistantships:  UCLA Madrigal Singers, Chorus I, Collegium Musicum;
		Stanford University Chorus and Chorale.
Many unpublished editions and arrangements.



\F3Douglas Alton Smith\F1			M.A. Stanford University (German 1967)
\F12171A Princeton St.				M.A. Stanford (Music 1974)
Palo Alto, CA. 94306				Ph.D. Stanford (expected 1976)
tel. (415) 322-9308			\F3Major Advisor: Professor Albert Cohen

\F1Primary area:    Late Baroque
   Dissertation title:   \F2Sylvius Leopold Weiss and the German Baroque Lute Sonata

\F1Secondary areas:  16th-18th century performance practices.

Performing ability:   Lute, baroque lute and archlute.  Supervise collegium.

Publications:	"Baron and Weiss Contra Mattheson: In Defense of the Lute,"  Journal
		of the Lute Society of America, Vol. VI (1973);  English translation and
		edition of E. G. Baron's "Untersuchung des Instruments der Lauten",
		(Nuremberg, 1727), to be in Instrumenta Antiqua, early 1976;
		several other reviews, editions and translations.

Teaching experience:  1966-69 Teaching asst. in German, Univ. of Washington;  1970-71 Lecturer
	(full time) in German and Guitar, Univ. of Puget Sound;  1973-75 Instructor of guitar and
	recorder classes, West Valley College and Foothill College;  1973-75 Teaching fellow in 
	German, Stanford ;  1974-75 Course asst. in music, Stanford
Held Fulbright and Whiting Fellowships.  Presently Associate Editor of the
Journal of the Lute Society of America.
\F0\CSTANFORD UNIVERSITY
\CDepartment of Music




\F3Robert G. Luoma\F1				M.A. University of Oregon (1953)
\F118 Fareway Drive 				D.M.A. Stanford (1967)
Northfield, Minn. 55057	
					\F3Major Advisor: Prof. Harold Schmidt

\F1Primary areas:    Choral conducting, music history
   Final project title:  \F2Francesco Durante's "Oratio Jeremiae Prophetae," A Study in the
			   Relationship between Style, Structure and Performance

\F1Secondary areas:  Performance practice, music theory, music education.

Publications:	"The Function of Dynamics in the Music of Haydn, Mozart and Beethoven:
	Some Implications for the Performer."  College Music Symposium (spr. 1976)
	"Variant Dynamic Markings in Music: Some Examples from Mozart and Beethoven,"
	The Music Review (Aug. 1973).  Several other articles.

Teaching experience:  Stanford University, Teaching Asst. (1964-65);  
	Eastman School of Music, Asst. Prof., Music History survey, Baroque era, 
	Classic era (1967-8).
	Carelton College, Asst. Prof., many history classes, Fugue, 
	Music Ed., etc. (1968-74)





\F3Elizabeth Hays\F1				Ph.D Stanford (expected 1976)
\F1661 Cragmont Ave.
Berkeley, CA.  94708
					\F3Major Advisor: Prof. Imogene Horsley

\F1Primary area:    Music history

\F1Secondary areas:  Performance practice, harpsichord

Contact Stanford Placement Office for detailed information.